Table Of Contents
👉About The Author
👉About The Text
👉Characters In The Story
👉SCENEWISE FULL TEXT
Scene–I : Sidda’s Employment
Scene–II : Friendship Of Leela And Sidda
Scene–III : The Chain Missing Episode
Scene–IV : Leela’s Tantrums
Scene–V : The Last Scene
The Discovery Of The Chain
👉Important Word-notes
👉What We Learn From The Story
About The Author
Rasipuram Krishnaswami Iyer Narayanaswami, popularly known as R. K. Narayan, was a famous Indian writer in English. He was known for his work set in the fictional South Indian town of Malgudi. He was a leading author of early Indian literature in English along with Mulk Raj Anand and Raja Rao. In a writing career that spanned over sixty years, Narayan authored fifteen novels, five collections of short-stories, two travel books, two volumes of essays, a volume of memoirs, and retellings of the Ramayana and Mahabharata. He is famous for his simple and lucid language in writing. His famous works include’Swami and Friends [1935], ‘The English Teacher [1945], ‘The Guide [1958], The Bachelor of Arts [1937]. In 1958 his novel ‘The Guide’ won him the Sahitya Akademi Award, India’s highest literary honour. Credited with bringing Indian literature in English to the rest of the world, Narayan received the prestigious Padma Vibhushan, India’s second-highest civilian award, and was also nominated to the Rajya Sabha in 1989.
About The Text
‘Leela’s Friend’ is one of R. K. Narayan’s most popular short-stories from the collection ‘Malgudi Days’. In this story R. K. Narayan has drawn how the poor lower class people like Sidda, the servant in the story are always ill-treated and ill-judged by the rich upper class people like Mr. and Mrs. Sivasanker in the story. The discriminatory practices of the upper class society got largely challenged in this story. Through the innocent character of Leela R. K. Narayan has raised his voice against the discrimination of the society. Besides exploring the issue of the interaction between different social classes, the story explores the issues of friendship and trust, prejudice and exploration.
Characters In The Story
Mr Sivasanker
In the story he is presented as an aristocratic upper class man of the then society who works in an office. He lives with his wife, Mrs Sivasanker and only only daughter Leela. At the end of the story he becomes an unjust and inhuman character.
Mrs Sivasanker
She is the wife of Mr Sivasanker and mother of Leela. She is a very suspicious and prejudiced woman. Her suspension is always towards the poor lower class people like Sidda, the servant in their house.
Leela
She is the only one five years old bossy daughter of Mr and Mrs Sivasanker. In the story Sidda becomes trustable only to her. Actually she is R. K. Narayan’s raising voice against the discrimination of the society.
Sidda
He is the central character of the story. In the story he becomes a soulmate to his only one trustable friend Leela. A middle-aged poor illiterate man from the downtrodden lower class society, Sidda has become a symbol of the oppressed class who are always ill-treated and ill-judged by the rich like Mr. and Mrs. Sivasanker.
A Police Inspector
Being a man from the upper class society he is a friend to Mr Sivasanker. He arrested Sidda. He becomes furious with Mr Sivasanker for not consulting with him before employing Sidda as their servant.
A Constable
He is an associate of the police inspector who along with the police inspector brings Sidda, after arresting, to Mr Sivasanker’s house. He aslo brings Sidda to the police station following the order of the inspector.
SCENEWISE FULL TEXT
Scene-I : Sidda’s Employment
Sidda was hanging about the gate at a moment when Mr Sivasanker was standing in the front veranda of his house brooding over the servant problem.
“Sir, do you want a servant?” Sidda asked.
“Come in” said Mr Sivasanker. As Sidda opened the gate and came in, Mr Sivasanker subjected him to a scrutiny and said to himself, “Doesn’t seem to be a bad sort…At any rate, the fellow looks tidy.”
“Where were you before?” he asked.
Sidda said, “In a bungalow there,” and indicated a vague somewhere, “in the doctor’s house.”
“What is his name?”
“I don’t know master,” Sidda said. “He lives near the market.” “Why did they send you away?”
“They left the town, master,” Sidda said, giving the stock reply.
Mr Sivasanker was unable to make up his mind. He called his wife. She looked at Sidda and said, “He doesn’t seem to me worse than the others we have had.
Leela, their five-year-old daughter, came out, looked at Sidda and gave a cry of joy. “Oh Father!” she said, “I like him. Don’t send him away. Let us keep him in our house.” And that decided it.
Sidda was given two meals a day and four rupees a month, in return for which he washed clothes, tended the garden, ran errands, chopped wood and looked after Leela.
Scene–II : Friendship Of Leela and Sidda
“Sidda, come and play!” Leela would cry, and Sidda had to drop any work he might be doing and run to her, as she stood in the front garden with a red ball in her hand. His company made her supremely happy. She flung the ball at him and he flung it back. And then she said, “Now throw the ball into the sky.” Sidda clutched the ball, closed his eyes for a second and threw the ball up. When the ball came down again, he said, “Now this has touched the moon and come. You see here a little bit of the moon sticking.” Leela keenly examined the ball for traces of the moon and said, “I don’t see it.” “You must be very quick about it,” said Sidda, “because it will all evaporate and go back to the moon. Now hurry up….” He covered the ball tightly with his fingers and allowed her to peep through a little gap.
“Ah yes,” said Leela. “I see the moon, but is the moon very wet?”
“Certainly it is,” Sidda said.
“What is in the sky, Sidda?”
“God”, he said.
“If we stand on the roof and stretch our arms, can we touch the sky?”
“Not if we stand on the roof here,” he said. “But if you stand on a coconut tree you can touch the sky.”
“Have you done it?” asked Leela.
“Yes, many times” said Sidda. “Whenever there is a big moon, climb a coconut tree and touch it.”
“Does the moon know you?”
“Yes, very well. Now come with me. I will show you something nice.”
They were standing near the rose plant. He said, pointing, “You see the moon there, don’t you?”.
“Yes.”
“Now come with me,” he said, and took her to the backyard. He stopped near the well and pointed up. The moon was there, too. Leela clapped her hands and screamed in wonder, “The moon here! It was there! How is it? “
“I have asked it to follow us about.”
Leela ran in and told her mother, “Sidda knows the moon.”
At dusk he carried her in and she held a class for him. She had a box filled with catalogues, illustrated books and stumps of pencils. It gave her great joy to play the teacher to Sidda. She made him squat on the floor with a pencil between his fingers and a catalogue in front of him. She had another pencil and a catalogue and commanded, “Now write.” And he had to try and copy whatever she wrote in the pages of her catalogue. She knew two or three letters of the alphabet and could draw a kind of cat and crow. But none of these could Sidda even remotely copy. She said, examining his effort, “Is this how I have drawn the crow? Is this how I have drawn the B?” She pitied him, and redoubled her efforts to teach him. But that good fellow, though an adept at controlling the moon, was utterly incapable of plying the pencil. Consequently, it looked as though Leela would keep him there, pinned to his seat till his stiff, inflexible wrist cracked. He sought relief by saying, “I think your mother is calling you in to dinner.” Leela would drop the pencil and run out of the room, and the school hour would end.
After dinner Leela ran to her bed. Sidda had to be ready with a story. He sat down on the floor near the bed and told incomparable stories: of animals in the jungle, of gods in heaven, of magicians who could conjure up golden castles and fill them with little princesses and their pets….
Day by day she clung closer to him. She insisted upon having his company all her waking hours. She was at his side when he was working in the garden or chopping wood, and accompanied him when he was sent on errands.
Scene–III : The Chain Missing Episode
One evening he went out to buy sugar and Leela went with him. When they came home, Leela’s mother noticed that a gold chain Leela had been wearing was missing. “Where is your chain?” Leela looked into her shirt, searched and said, “I don’t know.” Her mother gave her a slap and said, “How many times have I told you to take it off and put it in the box?”
Sidda! Sidda!” she shouted a moment later. As Sidda came in, Leela’s mother threw a glance at him and thought the fellow already looked queer. She asked him about the chain. His throat went dry. He blinked and answered that he did not know. She mentioned the police and shouted at him. She had to go back into the kitchen for a moment because she had left something in the oven. Leela followed her, whining, “Give me some sugar, Mother, I am hungry.” When they came out again and called, “Sidda! Sidda!” there was no answer. Sidda had vanished into the night.
Mr Sivasanker came home an hour later, grew very excited over all this, went to the police station and lodged a complaint.
Scene–IV : Leela’s Tantrums
After her meal Leela refused to go to bed. “I won’t sleep unless Sidda comes and tells me stories. I don’t like you, Mother. You are always abusing and worrying Sidda. Why are you so rough?”
“But he has taken away your chain…”
“Let him. It doesn’t matter. Tell me a story.”
“Sleep, sleep ,” said Mother, attempting to make her lie down on her lap.
“Tell me a story, Mother,” Leela said. It was utterly impossible for her mother to think of a story now. Her mind was disturbed. The thought of Sidda made her panicky. The fellow, with his knowledge of the household, might come in at night and loot. She shuddered to think what a villain she had been harbouring all these days. It was God’s mercy that he hadn’t killed the child for the chain. “Sleep, Leela, sleep,” she cajoled. “Can’t you tell the story of the elephant?” Leela asked.
“No.”
Leela made a noise of deprecation and asked, “Why should not Sidda sit in our chair, Mother?” Mother didn’t answer the question. Leela said a moment later, “Sidda is gone because he wouldn’t be allowed to sleep inside the house just as we do. Why should he always be made to sleep outside the house, Mother? I think he is angry with us, Mother.” By the time Sivasanker returned, Leela had fallen asleep. He said, “What a risk we took in engaging that fellow. It seems he is an old criminal. He has been in jail half a dozen times for stealing jewellery from children. From the description I gave, the inspector was able to identify him in a moment.”
“Where is he now?” asked the wife.
“The police know his haunts. They will pick him up very soon, don’t worry. The inspector was furious that I didn’t consult him before employing him…”
Scene–V : Sidda’s Arrest
Four days later, just as Father was coming home from the office, a police inspector and a constable brought in Sidda. Sidda stood with bowed his head. Leela was overjoyed. “Sidda! Sidda!” she cried, and ran down the steps to meet him.
“Don’t go near him.” the inspector said, stopping her.
“Why not?”
“He is a thief. He has taken away your gold chain.”
“Let him. I will have a new chain,” Leela said, and all of them laughed. And then Mr Sivasanker spoke to Sidda; and then his wife addressed him with a few words on his treachery. They then asked him where he had put the chain.
“I have not taken it,” Sidda said feebly, looking at the ground.
“Why did you run away without telling us?” asked Leela’s mother.There was no answer.
Leela’s face became red. “Oh, policemen, leave him alone. I want to play with him.”
“My dear child,” said the police inspector, “he is a thief.”
“Let him be,” Leela replied haughtily.
“What a devil you must be to steal a thing from such an innocent child!” remarked the inspector. “Even now it is not too late. Return it. I will let you go provided you promise not to do such a thing again.” Leela’s father and mother, too, joined in this appeal. Leela felt disgusted with the whole business and said, “Leave him alone, he hasn’t taken the chain.” “You are not at all a reliable prosecution witness, my child,” observed the inspector humorously.
“No, he hasn’t taken it!” Leela screamed.
Her father said, “Baby, if you don’t behave, I will be very angry with you.”
Half an hour later, the inspector said to the constable, “Take him to the station. I think I shall have to sit with him tonight.” The constable took Sidda by the hand and turned to go. Leela ran behind them crying, “Don’t take him. Leave him here, leave him here.” She clung to Sidda’s hand. He looked at her mutely, like an animal. Mr Sivasanker carried Leela back into the house. Leela was in tears.
Every day when Mr Sivasanker came home he was asked by his wife, “Any news of the jewel?” and by his daughter, “Where is Sidda?”
“They still have him in the lockup, though he is very stubborn and won’t say anything about the jewel,” said Mr Sivasanker.
“Bah! What a rough fellow he must be!” said his wife with a shiver.
“Oh, these fellows who have been in jail once or twice lose all fear. Nothing can make them confess.”
The Last Scene : The Discovery Of The Chain
A few days later, putting her hand into the tamarind pot in the kitchen, Leela’s mother picked up the chain. She took it to the tap and washed off the coating of tamarind on it. It was unmistakably Leela’s chain. When it was shown to her, Leela said, “Give it here. I want to wear the chain.”
“How did it get into the tamarind pot? Mother asked.
“Somehow,” replied Leela.
“Did you put it in?” asked Mother.
“Yes.”
“When?”
“Long ago, the other day.”
“Why didn’t you say so before?”
“I don’t know,” said Leela.
When Father came home and was told, he said, “The child must not have any chain hereafter. Didn’t I tell you that I saw her carrying it in her hand once or twice? She must have dropped it into the pot sometime….And all this bother on account of her.”
“What about Sidda?” asked Mother.
“I will tell the inspector tomorrow…in any case, we couldn’t have kept a criminal like him in the house.”
——————-
Important Word-notes
hanging about (present participle of the phrasal verb ‘hang about’) : spending time aimlessly; waiting around
brooding (present participle of ‘brood’) : to keep thinking deeply about something in a worried or upset way
subjected (v. p. of ‘subject’) : caused to experience
scrutiny (n.) : careful and thorough look; close examination
sort (n.) : type, kind, character
tidy (adj.) : marked by order and cleanliness in appearance or habits
bungalow (n.) : a small house with a single storey
indicated (v. p. of ‘indicate’) : made clear (e.g. with a sign) which place, direction, person, or thing
vague (n.) : not clear location
send away (phrasal verb) : dismiss, or give the sack
stock (adj.) : often used, commonplace
make up (phrasal verb) : adjust for
errand (n.) : a short trip for undertaking a task
company (n.) : the state of being with someone
supremely (adv.) : extremely or to the greatest possible degree
flung (v. p. of ‘fling’) : threw
clutched (v. p. of ‘clutch’) : took hold of; grabbed
bit (n.) : a small piece or quantity of something; spot
keenly (adv.) : eagerly; enthusiastically
traces (n. pl. of ‘trace’) : visible marks
evaporate (v.) : disappearance due to vaporize
hurry up (v.) : move faster, or act quickly, or quicker
peep (v.) : look furtively
backyard (n.) : the grounds in back of a house
well (n.) : a deep hole drilled to obtain water
pointed up (v. p. of ‘point up’) : indicated up to the sky
clapped (v. p. of ‘clap’) : put quickly or forcibly
screamed (v. p. of ‘scream’) : uttered a sudden loud cry
dusk (n.) : the time of day immediately following sunset; twilight
squat (n.) : to sit on heels
catalogue (n.) : a complete list of things
commanded (v. p. of ‘command’) : exercised authoritative control or power
remotely (adv.) : in a remote degree
redoubled (v. p. ‘redouble’) : doubled in magnitude, extent, or intensity.
utterly (adv.) : completely, absolutely
incapable (adj.) : lacking capacity, or ability; unable
plying (n.) : to use or wield well
consequently (adv.) : as a result, accordingly, or therefore
as though (adv.) : as if, like
pinned (v. p. of ‘pin’) : held fast, confined
stiff (adj.) : strong, unbendable
inflexible (adj.) : rigid, stiff
wrist (n.) : wrist joint
cracked (v. p. of ‘crack’) : broke; became fractured
relief (n.) : comfort; ease
incomparable (adj.) : extremely good; much better than others
conjure up (phrasal verb) : summon into action or bring into existence, often as if by magic
clung (v. p. of ‘cling’) : sticked or held together tightly
accompanied (v. p. of ‘accompany’) : be present with; associated with, or gone with
looked into (phrasal v. p. of ‘look into’) : investigated
slap (n.) : hit with someone flat like the open hand, blow made with an open hand
take off (phrasal verb) : remove
glance (n.) : a quick look
fellow (n.) : a boy or man
queer (adj.) : old-fashioned word for strange or unusual
blinked (v. p. of ‘blink’) : briefly shut the eyes
mentioned (v. p. of ‘mention’) : referred to
vanished (v. p. p. of ‘vanish’) : disappeared
excited (participle adj.) : agitated
lodged (v. p. of ‘lodge’) : charged; filed
complaint (n.) : charge; accusation
abusing (present participle of ‘abuse’) : ill-treating; treating badly
worrying (present participle of ‘worry’) : troubling
rough (adj.) : unkind; cruel; harsh
taken away (phrasal v. p. p. of ‘take away’) : taken from a person, or a place
attempting (present participle of ‘attempt’) : making an effort to accomplish; trying
panicky (adj.) : thrown into a state of fear or desperation; afraid; terrified
household (n.) : relating to housing
loot (v.) : goods or money obtained illegally; plunder; pillage
shuddered (v. p. of ‘shudder’) : shivered
villain (n.) : a wicked or evil person; scoundrel
harbouring (present participle of ‘harbour’) : giving shelter to
mercy (n.) : pity; compassion; or mercifulness
cajoled (v. p. of ‘cajole’) : influence or urge gently
deprecation (n.) : disapproval
by the time (adv. phrase) : at the time; before; or early
engaging (present participle of ‘engage’) : employing
half a dozen times (n. phrase) : six times
jewellery (n.) : jewel
identify (v.) : recognize; determine
haunts (n. pl. of ‘haunt’) : frequently visited places
pick up (phrasal v.) : arrest
worry (v.) : become anxious or concerned
furious (adj.) : marked by extreme or violent energy; fierce
consult (v.) : get or ask advice from
bowed (participle adj.) : submissive
overjoyed (v. p. of ‘overjoy’) : extremely joyful
treachery (n.) : betrayal; failing someone’s trust
feebly (adj.) : in a faint or feeble manner
run away (phrasal v.) : escape; flee; get away
haughtily (adv.) : in an arrogant manner
devil (n.) : a cruel wicked and inhuman person; demon
innocent (adj.) : free from evil or guilt; guiltless
provided (v. p. of ‘provide’) : gave something useful or necessary to
appeal (n.) : earnest or urgent request; prayer
disgusted (participle adj.) : fed up; or displeased
business (n.) : activity
reliable (adj.) : worthy of reliance or trust; dependable
prosecution (n.) : filing of a legal action
witness (n.) : someone who will provide evidence in a legal case
observed (v. p. of ‘observe’) : mentioned; remarked
humorously (adv.) : in a humorous (comic or funny) manner
behave (v.) : act properly
tonight (adv.) : the upcoming present night
mutely (adv.) : silently; wordlessly
jewel (n.) : jewellery, gem
still (adv.) : even now
lockup (n.) : jail in a local police station
stubborn (adj.) : obstinate
shiver (n.) : shudder
confess (v.) : admit or acknowledge to the truth
tamarind (n.) : a kind of acidic fruit
picked up (phrasal v. p. of ‘pick up) : lifted up
tap (n.) : water tap
unmistakably (adv.) : undoubtedly
long ago (adv. phrase) : long since
bother (n.) : an angry disturbance; fuss; trouble
on account of (prepositional phrase) : as a result of; because of; due to ; owning to
in any case (adv. phrase) : in any situation; anyway; anyhow
Abbreviations Used For Word-notes
n. = noun (in singular form)
v. = verb (base or present form)
v. p. = verb in past form
v. p. p. = verb in past participle form
adj. = adjective
adv. = adverb
n. pl. = noun in plural form
What We Learn from the Story
The picture drawn by R. K. Narayan in his story, “Leela’s Friend”, though was the picture of the then Indian society, reveals our present Indian society. The picture of the society is explained below–
👉Indian society is divided on the basis of class, race and gender.
👉The lower class people are always ill-treated and ill-judged by the upper class people.
👉The upper class people always have a prejudiced sentiment towards the poor lower class downtrodden people. They are always interpolated as ‘thief’, ‘criminal’ etc.